Aspec(t) Waspnest - 12" LP - 2010 Released by Toxo Records in co-production with Viande and Fratto9 12" LP in black bag, with external matt cover, inner page and download code Price: 12 €
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REVIEWS
THE WIRE #325 - March 2011
ASPEC(T) - WASPNEST (LP by Toxo/Viande/Fratto9) No Wave demolition is in order from this Italian duo, whose acrobatic brutality comes through an aktionist use of sax, electronics, voice and drums. Mimmo Napolitano (aka SEC_) and Mario Gabola quickly accelerate their shredding noises with reckless velocity of Mike Patton-esque glossolalia, splattered sax and guttural amplifier distortion. As quickly as Aspec(t) achieve turbo speed, the burn-out is equally as abrupt. The two slump into extended passages of dampened activity as if catching their collective breath through the comparatively restrained concoctions of free form drum kit skitter, porcine grunts and smeared feedback. Once recovered, the two blast off once again towards another nitrous-fuelled car crash.
Jim Haynes
VITAL WEEKLY #762
ASPEC(T) - WASPNEST (LP by Toxo Records)
ASPEC(T) - Waspnest (LP, Toxo Records, 2010) Aspec(t), the duo of SEC_ and Marion Gabola, have created an album of great intensity.Through a combination of laptop, processed tapes, analog synth, radio, feedback and acoustic sax, and resonant/free-drums, the duo are able to conjure a form of music that bridges two traditions I never imagined being linked in any manner, and yet after hearing this album the connection makes perfect sense. Essentially Aspec(t) merge old school European improvisation (think of Evan Parker, John Butcher) with the visceral “aktion” noise of Schimpfluch-Gruppe and those who travel in their orbit (Rudolf Eb.er, Dave Philips, Joke Lanz). The album as a whole is so full of pregnant pauses, clank, clatter, unholy vocals/growling, and noise explosions that, at first, it seems impenetrable. The tracks are relatively short, and with no obvious beginning or end, they tend to bleed together, adding to the exhilaration of the listening experience. Once the album settles in, though, it becomes utterly engaging. And what shines through on repeated listens is a clear love of texture, and this is especially evident in the digital manipulation of the Mario Gabola’s saxophone. This sound, which lies at he heart of the album, adds much depth, and the two push the instrument into such unfamiliar realms that it is nearly unrecognizable. This is an album which wonderfully defies casual listening. 8/10 Kevin Harrison
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